A major asset of 2009’s zippy pleasure Cloudy with a Chance of Meatballs was its sense of surprise. It was
an unexpected treat in the form of a zany hilarious contraption of imagination
and heart. The bouncily, colorfully animated story of Flint Lockwood (Bill
Hader) and his food-generating invention (the FLDSMDFR) that goes very right,
then very wrong, is a mile-a-minute joke machine running on slapstick, puns,
and running gags of every kind imaginable. The premise was wacky – weather that
rains food onto a goofy small town – and the breakneck pacing and deep down
heartfelt characterization only helped elevate it into a glorious cartoony
experience. Now, Cloudy with a Chance of
Meatballs 2 is not and maybe never could’ve been the total surprise delight
of the original. But there’s almost enough diverting silliness here all the
same. It is in many ways more conventional and subdued. To say it has half the
laughs sounds like an insult until you remember the overwhelming number and
variety of jokes that were packed into its predecessor.
Starting exactly eight minutes after the end of Cloudy, the sequel finds Flint and all
the citizens of Swallow Falls awestruck by a famous inventor and C.E.O of
multinational tech corporation Live Corp. helicoptering into their wrecked
food-covered town. Chester V (Will Forte), as limber as he is rich, pays to
relocate the townspeople while his crews of researchers clean up the island.
Eagerly accepting the offer, the characters move on with their new lives. Six
months later, though, clean up hasn’t made much progress because the FLDSMDFR
somehow survived the first film and has generated an entire island ecosystem of
mutant food. Meanwhile, Flint is having trouble getting promoted out of his
entry level position at Chester’s company, so he jumps at his boss’s offer to
travel back to island and find the rogue invention and shut down the jungle of
“Foodimals” before they can reach the mainland and wreak chewy havoc.
Off Flint goes, with his dad (James Caan), meteorologist
girlfriend (Anna Faris), and pet monkey (Neil Patrick Harris), as well as a cameraman
(Benjamin Bratt), a chicken-loving bully-turned-friend (Andy Samberg), and the
town’s policeman (Terry Crews). A sort of pun-heavy riff on Jurassic Park, the plot of Cloudy 2 finds our intrepid protagonists
trudging through a jungle of fruits and veggies, running into all manner of
monstrous (and cute) food creatures: smiling berries, grumpy pickles,
elephantine melons, a gargantuan “taco-dile,” and hamburger spiders with French
fry legs and poppy seed eyes. I especially liked a brief glimpse of a snake
with a slice of pie for a head and a Twizzlers tail. Unlike its predecessor's
joyfully overcooked disaster movie spoof, this is more of a light kiddie
adventure with a dusting of smile-worthy winks to keep things lightly comedic. The
characters are appealing and the visual design is delicious. It’s the screenplay
cooked up by John Francis Daley, Jonathan M. Goldstein, and Erica Rivinoja
(with story credits for Chris Miller and Phil Lord) that could’ve used more
time in the oven.
Though even at its most obvious, there are elements that
tickled me. The creatures are imaginatively designed and good for fun puns. I enjoyed the not-so-subtle dichotomy of organic goodness versus
processed factory food evil that simmers underneath the proceedings. Live Corp
is in the tradition of deceptively benign movie corporations that hide evil
intentions in cavernous rooms populated by anonymous white lab coats busying
themselves with unknown scientific tinkerings. I mean, Chester V’s assistant
(Kristen Schaal) is an orangutan with a human brain implanted inside her own.
He’s clearly up to no good, even without the most heavy-handed
mustache-twirling foreshadowing in the opening scene. (Given the way the rest of
the movie plays out, I wonder if that moment was put in specifically to defuse
what would’ve otherwise been a little plot twist.)
But compared to the densely hilarious framing and sturdy
script of its predecessor, Cloudy 2
feels thinner than it should. (Compared to, say, Turbo or Planes, however,
it doesn’t look so bad.) The plotting plays out more or less exactly as you’d
expect, with largely easy lessons that don’t really threaten to become anything
too emotionally impactful. Pair that with the sparser joke population and the
whole thing bakes into a flavorful concoction that could use a bigger does of
sugar to get truly tasty. Still, there’s enough imagination in the creatures
and silliness in the execution to make the time pass amiably enough. It is, after
all, not every day you see a movie with a subplot in which a man teaches a
bunch of pickles how to fish.
No comments:
Post a Comment