Wednesday, March 28, 2012
Quick Look: IN THE LAND OF BLOOD AND HONEY
Some people seem to have a knee-jerk reaction against
actors who decide they’d like to try their hand at directing. That’s too bad.
You never know which actor will end up being the next Clint Eastwood or Charles
Laughton (Night of the Hunter, an
all-time classic) or Gene Kelly (co-director of his Singin’ in the Rain), just to name a few. So when mega-celebrity
Angelina Jolie decides she wants to write and direct a movie, I say, “why not?”
When she decides to make a film about the Bosnian War of the early-90s and make
that film a resolutely uncommercial one starring no marquee names, that’s a little over two hours long,
with mostly Bosnian dialogue, even better. It’s just too bad her commercial
daring couldn’t have made In the Land of
Blood and Honey a better film. It’s a war movie laced with poisoned romance
and rarely blinking brutality. Oh, sure, it’s quite well made on a technical
level. The two leads – Zana Marjanovic and Goran Kostic – do good work and
are capable of fascinating chemistry together. The grim, grey look of the film
from cinematographer Dean Semler is polished and textured. But it’s all so Very
Important, a seems-longer-than-it-is slog in which the good intentions and the
weak melodrama drag each other down. It’s a punishing film with only the
faintest flashes of interest, a message movie so heavy-handed and long-winded I
felt beaten down by well-meaning bleakness. By the time pre-credit title cards
spell out some facts of the tragedy that was the Bosnian War, I found myself angry.
A compelling film could be made out of this material and Angelina Jolie clearly
has the righteous indignation needed to power and shape a devastating character study
that could actually make me feel through the film’s story and style the sadness
and frustration of these facts. It just didn’t happen here, leaving it a big,
empty, trudge through tough material. If she keeps trying, Jolie may yet become
the next great actor-turned-director. Based on the evidence of this film, she’s
most definitely not there yet.
Labels:
Angelina Jolie,
Dean Semler,
Goran Kostic,
Review,
Zana Marjanovic
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